The conversation that I mentioned having had in the last post, challenged my comfort zone. That is a good thing. When I am challenged I do not view it as an attack but rather as a welcomed catalyst for change.
My friend, an accomplished plein-aire painter himself, suggested that I choose one subject (such as a fire hydrant) and paint it repeatedly so that it becomes more about the process than about the subject. My work experience as an illustrator has actually rooted my artwork in the subject. I don’t think my friend was questioning the validity of me being a subject painter but rather the priority the subject had over my act of painting. He implied that this could inhibit any next-step development that I might seek. I agree that this is true. Learning to move past naturally occurring sticking points, such as fixating on the subject and for me, the story, can in fact weaken my work.
In order to respond to a challenge I first think hard about what was said, and then whether it is applicable. The exercise of doing that – actually articulating in my own mind what makes the comment accurate or inaccurate – forces me to examine it. If it is even partly true then I need to decide if it is something I want to keep and own, or something that needs to be modified, changed, or even discarded. That is the fundamental concept behind any growth.
I found that this comment struck home. I spent an entire 1st career drawing exactly what the client wanted, what the catalog demanded, or what the story needed. As an illustrator, my role was to accurately present the subject, not my interpretation of it. Now, what that means to me is that I need to be aware of the relationship my past has to my current work. I don’t need to embrace the complete dismissal of subject because it is, in fact, part of what makes me – me. It is perfectly valid, however, for me to be aware of this challenge in my work. Growth can mean finding that mid ground.
I am a representational artist and will remain so, but to achieve my next level of expertise I need to strengthen the marriage between subject and process. In the end it will allow me to relax and enjoy the process of painting, and the viewer to connect themselves more readily to the images and the comfort of an identified object.
So I hope you enjoy this small series of oil sketches. It is my exercise for subject and process alignment through subject repetition, a tool that I will continue to use periodically to help me improve.
Thanks for the challenge and the motivation. Onward I go.