Category: Work from the studio

Evening play

September 3, 2017

Not every painting is inspired by an event, or done from a photo I’ve taken. Neither is it captured on site at the moment of a sunset, or even specifically intended for a learning process. Sometimes picking up a brush can be just about going into the relaxed state that pushing paint around affords. 

This little painting is not a real place and not from a photo, but  is just from a relaxed place in my mind. Think of it as doodling. We’ve all been known to doodle up and down the sides of note-taking, a grocery list, or some other scrap of paper while we’re thinking about other things. This is a little like that. I wanted to play and think about planning and dark and light and change, as I doodle my way through the process of painting. It is one way I process thoughts not even related to art. Sometimes it’s about processing what goes on in your day job, your relationships, or projects around the house that you need to think about. It becomes a mediation tool, a distraction, or an emotional or perspective leveler.
An artist and their works are interwoven and cannot be fully understood independent one from the other. I hope you enjoy this painting as an insight into the mind and workflow of a working artist.

Capturing calm

August 23, 2017
First evening-blocking in the shapes.
Second evening – working the detail.

Even though the season for traveling and taking pictures is not completely done yet, I find myself already anxious to get started on some of the pictures I’ve taken. This first piece is painted from a shot that I took one evening when we were out for a drive in the country. 

I started this painting on Sunday afternoon and this first photo on the left is how far I got that evening. I don’t have too many process pictures for this painting because it fell together pretty rapidly but I thought it might be fun for you to see my priorities.

Evening three – finishing the tree and the final details.

The second shot on the above right is what happened on Monday night. In this phase of the painting I blocked in where and how I wanted the tree to grow and concentrated on the water’s surface and the grasses. 

The last evening I completed the painting by adding the greenery on the tree and enhancing some of the details that still needed to be finished. It’s fun now that I’ve learned how to pick up speed.

This is a remarkably simple subject – just calm water in late afternoon or early evening sun. I love the quiet light that early evening offers, right before dark. Last light touches the water’s surface and the edges of grasses and makes the color slightly heightened.

I hope you can hear the crickets?

Painting just for fun.

April 22, 2017

To really keep up the continual process of discipline with my painting, regardless of the motivation of commission, show presentation, or lectures, it is important to work… as often as possible but weekly at the very least. The more I paint, the less I am subject to the trap of painting only when I feel motivated to, and the better my skills become. 

View from the middle of a Midwest cornfield a good bit after sun's rise.
View from the middle of a Midwest cornfield a good bit after sun’s rise.

One of the most important parts of this whole process is that I continue to remember it is not about whether the final painting is perfect but about what I learned along the way. It is also vital that I enjoyed making it.

What is not important is if it is liked by everyone or that it “wows” anyone. Even less important is if it sells. Commerce has it’s place, of course, as does popular opinion but I must continue to paint regardless of the natural ebb and flow equated to either of those effects.

I give you my latest work, a 24″ x 36″ oil on canvas of early morning over a typical Midwestern cornfield. I do hope you enjoy it, and thank you for following my work.

The third painting from Kalamazoo.

April 8, 2017
This young man was a wonderful sales apprentice for this vendor.
This young man was a wonderful sales apprentice for this vendor.

I haven’t been free to work in my studio very often these last couple of weeks. Life balance is always a challenge for an artist – to find the time to spend at their craft and still work at a full-time job and have social activities. As with anything, when there is an ebb and flow in one part of our life we shift and allocate time to another important part. Yesterday I was able to sit down and finish this painting. 

This is the third painting that I started at the Kalamazoo Trade Show. It is a playful little illustration of the vendor display across the isle from me in my room in trader’s hall. The young man who was helping this vendor was delightful and made me think of all of the apprentices who learned at the shoulders of mentoring tradesmen in the 18th and 19th century. Best wishes to Delbert, my fine model and period apprentice.

The Second Painting from Kalamazoo.

April 2, 2017

This second painting looked a little more done when I brought it out but I didn’t like how dark it was overall, so I spent some time yesterday bringing up the highlights.

This was a walking trail in western Pennsylvania that had big boulders everywhere.
This was a walking trail in western Pennsylvania that had big boulders everywhere.

Each painting I do now is chosen because they have some element in them that is a specific challenge. It might be a particular color palette, a tone, or something like water, architecture or rocks. 
For the most part, I take my own photos to do my paintings from. Part of the reason I insist on doing that is that I don’t need to worry about copyright. If I use an image someone else has taken then I must always ask for permission, often formally in the form of a written release to allow me the freedom to sell my final work. The other reason I use my own photographs is that they are literally triggers – reminders of something I experienced. They reflect a moment or emotion I saw, experienced, felt, smelled, or want to remember. Hopefully that direct memory helps me pass those experiences on to you more effectively.
I hope you enjoy this capture of the Rocky Path. Now, on to the next painting.

Playing in the Studio

April 1, 2017

I had a great weekend at the Kalamazoo Trade Fair where I worked on two paintings on Saturday and a third one on Sunday.

From the cool shade of the shoreline birch, a view of Turtle Island.
From the cool shade of the shoreline birch, a view of Turtle Island.

I love painting and talking at a public event like that and couldn’t be more thrilled that I was able to produce several works to a point of mostly done.  
When I am in such an open venue as that I start and stop painting while I talk to each person – something I love to do and is the main reason I paint on site.
The split concentration often keeps me from focusing on the problem solving part of pulling a piece through to completion so I bring the paintings home and look them over before signing them. Usually I see a few things I am not happy with and sit down and put a little time in fixing. The trick is being free to sit down and paint and these last couple weeks I have been too busy to do that.
This first painting was relatively close to done so all I needed to do was clean up a few places where there were awkward details. Done now, I offer you the View of Turtle Island.

Now, off to finish up the next painting.

Capturing Winter's cold colors

February 12, 2017
Trying to capture the sun on morning frost.
Trying to capture the sun on morning frost.

Sometimes I find myself afraid of trying a radically different color pallet for fear of failure. When I realize I am avoiding something because I am afraid, I make myself face that fear.

Sometimes the resulting paintings work out and sometimes they don’t. This one was fun to do although it posed the challenge of using intensely raw blue and white as a reverse to catch the look of late morning frost. The look shouts cold.

I used the browns as the only warmth and the essential contrasting color for line. All in all, I think it was a successful learning experience and with that, a good painting. 

Back to work.

Off to a great start.

February 4, 2017

The show in Saint Charles was a huge success and I saw so many people that it felt like it was a well established event already. I am happy for the folks who launched this new show. I know how hard this is to do.

New 16" x 20" called St. Croix sunset.
New 16″ x 20″ called St. Croix sunset.

My new works were well received and I painted quite a bit, although there are those who say I do more talking about art than putting brush to canvas. All in all I am happy to have a venue close to home for folks who aren’t in a position to travel to see my recent work. Now I am looking forward to my next show, the Echoes of the Past Trade Show in Oshkosh, Wisconsin.

With that in mind, I put a new canvas up on the easel when I got home and started a painting of a sunset I enjoyed with my husband this past summer in St. Croix, Wisconsin. I loved the soft, rhythmic sound of the waves as the wind calmed, and the way the light played off of the water. This piece has been fun to paint and I am feeling more confident with my style all the time. Let me know what you think. 

 

New year's work – #3

January 7, 2017

quiet-mill-pondThis third painting was still on the easel when I had to go back to work so it was finished in bits after I get home each day from working in the library. The combination of building, water, and trees make for another kind of challenge.
These 3 new paintings are a forecast of what I should be able to accomplish with the new style changes. I am having fun again and I am relatively satisfied with the outcome.
Oddly, when I first began to digest the wisdom shared with me last March I felt I needed to completely revamp who I was and what I did and embrace every bit I was told. What has happened was what should always happen during the learning experience. I synthesized what was given. Some of the advice was valid for me and some was not. I incorporated some of the bits and some I rejected. I am my own person. My filter is my own. My vision is my own.
I thank the artist for taking his time to lend gentle voice for my sake and I have become better for the advice.