Missing our historical friends.

Ordinarily, this time of the year reenactors get together in great celebretory encampments all over the United States to talk history, smell good wood smoke, buy fine wares from historical craftsmen, and catch up on what everyone has been up to. History lovers have such a wide variety of special interests to bring to the table and in the living history communities especially, the variety is broad. Living history reenactors are often full time professionals in the trades, or we are teachers, doctors, librarians, artists or a myriad of other roles, but our common ground is a love of history.

Spring is the time to share about what we’ve researched over the winter, show what we’ve created or built, and to brag on new attire we have sewn. We talk of hunts, and purchases, new babies and the passing of old friends.

Like any close knit community, and believe me living history reenactors are a close knit family, we miss each other. We talk about seeing each other on Facebook and we call each other on the phone and we sit around in zoom and face time rooms showing each other quillwork and leatherwork and paintings …talking about when this will be over.

It’s hard… but we count on knowing that hard times pass. I have dozens of people that I only see in these settings but find myself extremely fond of. Some are brilliant and loving individuals, from all walks of life, and all capabilities, and all denominations of faith, and representing all of the peoples of mankind.

Unfortunately, the economic effects of this widespread illness may be the undoing of some small businesses in historical communities. In these new and unusual times of staying safe by staying away from each other, the living history communities cannot orchestrate large gatherings of camping historians (often a 100 or more tents) in a field or two. With events cancelling, the vendors in camp who have sown and hammered and created all Winter cannot now sell their wares to the other living historians. This is not just a hobby for them and these people do not have other professions. Living history IS their small business. Still they must pay their mortgages and buy their food just as any local small business owner we know must do.

It’s a helpless feeling to not be able to help small businesses in times like these. We find ourselves doing curbside pick up at our favorite restaurant knowing that it may help them sustain.

When you think of ordering online, I would encourage you to think about some of the small living history based businesses, artisans, and craftspeople you know and reach out to their websites. Look at what they’ve been doing and purchase directly on their secure sites. Help these historians who support themselves in a small business.

Today’s painting is a reminiscent little study, oil on canvas, of two of my friends sitting around a campfire at an event last summer. It is titled, “It was a good day, wasn’t it? “.

More fairie folk, or painting daydreams.

There is no great philosophical meaning or story behind this painting. I needed to paint, and I didn’t know what to paint, and my palette needed cleaning, and what was left was limited… so I decided to paint a luna moth. Then I realized I was bored with it and started to run off the rails into fantasy again.

So, this is just about pushing paint around, thinking about relaxing times camping in summer and the wonderful insects we marveled at as kids.

This is a small, oil on canvas called, “Namesake”

Workflows and other new regimes.

“Make peace with imperfection”. This is one of the phrases I took away from an online teaching group discussion I attended today. While certainly a true phrase for trying to deliver content in an online teaching environment, especially if the transition has been rapid and without warning like this Spring has been, it hit me how applicable it is in painting. I am notorious for worrying a subject to death and not stopping soon enough, thereby striving for perfection and falling terribly short.

I also know that another phrase that came out of that meeting, “less is more” (remeniscent of Meis logic) is also applicable. Instead of trying to show everything that you are capable of as a painter in one piece, stick to the synthesis, or simple way. It’s exactly what plein aire is all about. In that style you look, judge, synthesize, and quickly capture the impression of what you’re seeing. Small studies in the studio follow the same principle. So while I’m listening and watching a zoom meeting, my mind is jumping to a next lesson on canvas.

Our new normal is a blend of teaching and learning with one job and having that job be embedded in your home environment, complete with all of the new tasks and precautions of the pandemic. When we get groceries they come into the house and get processed in an assembly line of wiping and disinfecting and all fresh produce gets washed in the stainless steel sinks and dried in the drainer.

Timing in learning is part of the integration process. My worlds collided today. If you need subject matter for your paintings, you are literally surrounded by thousands of chances to ply your trade. Today’s painting is the merge of what I learned in my meetings and what we now do in our home work flow.

This piece is an 8 by 10 oil on canvas called, “Quarantine Still-life” (or, now everything gets washed)

Peepers, and other Spring sounds.

Yes, it is Spring. Ordinarily I would be camping periodically and enjoying the sound of the Spring peepers, bird song, and other wonderful springtime sounds. I miss them.

I understand that these are such unusual times that we are living through and camping is not on the agenda. I know that this quarantine too shall pass, whether it’s in a month, in 6 months, or in a year …we will be OK. In the meantime I realized that I am approaching this challenge with the same voracity that I do anything. Unfortunately, I have no control over this. None. I can control my own actions, however, and that includes how much I should worry beyond that point where I’ve done things right. I work from home every day and continue to focus on the things that I need to do for myself and my job. I occasionly try to paint in the evenings or weekends much as I always have but I struggle to when I am anxious. Last night I became even more anxious and my mind took me down a dark place that kept me awake most of the night worrying to a silly level. This afternoon I set aside my computer and at the encouragement of my husband picked up the paintbrush again.

I have also approached my art with my head down and my business mindset engaged. Is the subject matter something I can sell? Is the subject matter something that will fit in a particular gallery or group of people? OK, that’s got to stop.

I need to paint for me. This should be my joy, my pleasure, and my relaxation. So this afternoon I did paint for me. I played. I laughed. And I painted for the pure joy of it.

The painting is oil on canvas called, Laughter and Other Sounds of Spring.

Remembering vacation travels

So like many others here in the United States, we are staying at home.

I am in a fortunate position to be working from home, but there is also a portion of the time that I have here in the house that is clocked out. At that point, I am Kelly the artist instead.

When I go to reach for subject matter my input is now limited to the rooms of my house and puttering around my backyard to get some fresh air. I can do still life studies, and certainly do sometimes, but now’s also when I should turn to all of those photographs that I took while on vacation. I take those thinking I’m going to reach for them at some point, but often forget to. Now is when I need to open up the albums and relive the vacations. I can see the views from the wonderful driving trip we took to upstate New York, or to the West where we camped along the Rocky Mountains, or even when we took that meandering trip up to Minaqua to see fall colors. I have hundreds of pictures and dozens of them could make great paintings. I need to keep reaching into those memory files and pulling out a picture and saying “Ah, wasn’t that a fabulous vacation? Wasn’t that a fun time!”

This latest study is oil on canvas, hiking up the draw at Watkins Glen, New York two years ago.

Thought, prayer and choice.

Each day we are confronted with waves of contradicting information and its hard to know what to believe, or do.

Science tells us to stay cautious and vigilant to preserve our health and the health of our co-workers and loved ones. Our national and regional administrators tell us both that “all will be well and over soon…” or that “we have yet to see the peak of the impact and it could get worse if we lighten up at all”. We are grateful that our spiritual leaders have taken our services online and our workplace accommodates our work-from-home status.

The foundation of our faith asks that we speak and act with the confidence and grace that affirms our trust in God’s will and mercy and continue to pray for our safety. God gives us choice so that we can weigh the facts, the opinions, the mandates, and our faith. Sometimes it can be terribly hard to decide what to do next.

Prayer can calm our mind and spirit and allow for the clarity of thought we need to make those good choices.

Finding peace by turning to my passion.

It’s not easy to be creative when you are under a lot of stress, especially the uniquely complex stress connected with this virus. I sure know that.

Our natural tendency is to worry about our health or the health of our loved ones. We worry about our jobs. We worry about the immediacies of food and home and long term destruction that we can’t even predict yet. Worry, however, is destructive. It has been too present for me lately, although really hard to identify.

I have been taking my energy over the last 3 weeks and trying to channel it toward my job in this new ‘work from home’ environment. I try to think about how I can reorganize my work flow within the new parameters and somehow balance the Home Office and the home. I keep trying to keep everything smooth and reach the same high standard that I always have, but now realize that everything needs to be allowed to shift and find the new standard.

Gratefully, there comes a point when you finally start realizing that zombies are not storming the doors, Spring is starting to bloom in the yard, the days are getting warmer, and you’re doing well at your job. It’s different, but good. You wake up one morning and realize you’re getting sleep and you’re eating fine and it’s gonna be OK. I’m grateful right now that my husband and I know how to be pretty self sufficient and are really having no trouble distancing ourselves.

As I have begun to relax I realized that I have completely neglected that creative part of me that needs nourishment too. Today I sat down at the easel and flipped through my vacation photos from our trip out West last spring, right after graduation. When you still work full time vacations are often just done at a dead run, zooming too fast through places that are awesome and gorgeous. You don’t have time to sit there and paint for a long period of time so you take lots of photos with intent to bring them back to the studio and make the paintings later. Unfortunately, I actually don’t do that as often as I should. Now as I find that balance – the true life balance – I know I need to begin to paint plein aire from these photos from trips. This morning’s offering is a lovely rock outcropping from Yellowstone.

It feels good to paint again and spend some time seeking my peace.

Difficult times.

We could have never imagined the scenario that we are currently living through. The world is under siege from an unseen virus and from a rigor of our own self realizations that we are actually flawed and fragile creatures that survive only because we are part of a larger whole and overseen by a higher power.

It is a time when many of us, even those not inclined to do so, are slowing down and becoming introspective to some degree. We spend time alone and think about our place in the world. We think about our priorities of family, work, and life. We come to realize what truly brings us joy, and peace. We identify what our physical needs truly are such as food and shelter, and what our spiritual needs also truly are.

The gravity of a worldwide pandemic certainly disrupts our routines, scares us, and rattles our trust – sometimes making us lash out in fear. It breaks normal patterns, and makes new ones. It creates new priorities and we discover our new, evolving normal. We also begin to realize that mankind cannot thrive without creativity. It is in fact, the dreamers and creative thinkers who not only provide us with the visual arts, dance, music and more to sustain our spirits, but it is they who find workarounds to sharing resources, who discover the vaccines, and who find ways to sustain us quite literally like humanity’s connective tissue.

When creative people are quarantined they reach for the knitting, and they reach for the guitars, and they reach for the paintbrush, because they know that it is just as important as the sustenance of food. Just as Kandinsky found correlations between music and color, we too must find correlation between the lovely quiet that has started to emerge from stay-at-home directives and a sub level of sound where music and wind chimes and children’s laughter and our own voices become the light and color of our souls. Those who don’t remember how to hear that level within themselves are the ones that are panicking by not being out in the public. They need us to help.

I am thankful every day for my life. I am thankful every day for those people that I have surrounded my heart with for they are the thinkers, and the musicians, and the painters, and the knitters. They are the ones who carefully steward mankind’s spirit during times of crisis and share it back to those in need like fabulous little morsels when the world is starving.

Despite the fear and the anxiety that is prevalent right now, I know that we will emerge from this as humans with a greater love for each other, a greater tolerance of each other’s flaws, and a stronger mankind overall. We must never let the louder voices be the voices that we follow blindly. We must instead be quieter and follow the much more subtle voices of silver thread networked between each other.

Warmer days and the promise of Spring thaws.

This is that time of the year when we can celebrate warm and beautiful days, and small yellow flowers sneaking up through the leaf clutter in our garden beds. When we walk along great lakes shorelines here in the north we can see the ice melting, the snow banks fading, and any piled snow lurking in a shadow is dwindling to melting runoff. The Sun has a uniqueness as it comes up every morning that bespeaks a moisture laden atmosphere, and the changing trajectory of its spring solar path. Clouds create patterns of indecision revealing that they can’t decide whether to rain or snow, and but instead choose to sparkle with a glistening light. It is virtually impossible not to become enamored with these vignettes and want to paint them.

As a painter I try and confine my work to either live (plein aire) or painting from my own photographs in the studio so the work is infused with my own memories and experiences. Rarely do I stray from using my own photographs. Last summer, however, I met a photographer in Kenosha, Wisconsin on the shore of Lake Michigan who has very similar visual tastes to my own. With that shared taste, I find references to my own experiences, and I can draw from those, remembering being there from her pictures.

The piece that I finished in late December (called Christmas Morning Sunrise) was painted from a photograph that this new friend took as she walked the shore of Lake Michigan on Christmas morning. I had written her and asked her if I could have permission to paint from that photo and she agreed. Then, a few weeks ago I saw another shot that spoke to me and asked if I could paint it as well and she agreed. I appreciate so very much that she has been kind enough to let me paint from her images. The painting at the start of this post is my newest work, Early Spring Thaw.

Photo credits to Linda Plaza, photographer.